Exhibitions & Performances (Selected)

Image of Nicholas Bullen in live performance at the De La Warr Pavilion as part of the We Can Elude Control event.

2016

Kunsthall Oslo, Oslo (Performance Breach and panel discussion – For Voice is the original instrument)

Vivid Projects, Birmingham (Performance I Am Here: Where Are You? For NOISE + NOSTALGIA – A First Response Salon)

2015

Vivid Projects, Birmingham (Sound piece Control Tape For Repeator)

Eastside Projects, Birmingham (Event Scores and Sound Installation Call Unknown and Channel – For the exhibition Birmingham Show)

BEASTdome, Birmingham (Performance collaboration with Chris HerbertFor BEASTdome Pantry Sessions)

2014

Vivid Projects, Birmingham (Performance collaboration with Chris HerbertFor SOUNDkitchen Series 2014)

De Brakke Grond, Amsterdam (Performance Breach – For Studium Generale Rietveld Academie 2014: VOICE ~ CREATURE OF TRANSITION series: Must A Song Always Be A Song!)

Chisenhale Gallery, London (Performance Breach – For the 21st Century series: The Further Adventures of Parlando, Melisma and the Cookie Monster)

2013

Cafe Oto, London (Performance Component Fixations – For UNSOUND London)

CBSO Centre, Birmingham (Performance Component Fixations)

Confort Moderne, Poitiers (Multi-media Installation British Summertime / Living is Easy – For the exhibition Altars of Madness)

Casino Luxembourg, Luxembourg (Multi-media Installation British Summertime / Living is Easy, Performance Breach: Signal Obliteration – For the exhibition Altars of Madness)

A3 Project Space, Birmingham (Text – For the exhibition A3 Works)

Polruan Village Hall, Polruan (Performance, Film The Inverse Heliograph – For Open Provocation)

2012

Theatre Space, Birmingham (Performance, Film The Inverse Heliograph – For Supersonic Festival)

Zelig Building, Birmingham (Lecture Internal Space and D.I.Y. Cinema – For Halide Oxide)

Contemporary Art Spaces Tasmania, Tasmania (Sound installation Insula – For the exhibition In A Silent Way)

De La Warr Pavilion, Bexhill (Performance, Film The Inverse Heliograph – For We Can Elude Control)

Symphony Hall, Birmingham (Sound installation Three Elements – For Curious Sounds)

Tour 46 Gallery, Belfort (Performance Breach – For Performance Festival Impetus)

Matadero Madrid Contemporary Art Centre, Madrid (Performance Element Configurations III – For Eco Festival)

2011

Theatre Space, Birmingham (Symposium A to Zine – For Supersonic Festival)

VIVID Birmingham Centre for Media Arts, Birmingham (Sound Installation Beyond Belief, Film Module, Wall Text Burst – For the exhibition Crash)

Light House Media Centre, Wolverhampton (Symposium Home of Metal: Exploring Metal)

VIVID Birmingham Centre for Media Arts, Birmingham (Performance Element Configurations: II – For Sonic Picnic)

New Art Gallery Walsall, Walsall (Performance Exchange – For the opening of the exhibition Be True to Your Oblivion)

Wolverhampton Art Gallery, Wolverhampton (Multi-media Installation Scum collaboration with Damien Deroubaix – For the exhibition You Should Be Living)

VIVID Birmingham Centre for Media Arts, Birmingham (Performance Exchange – For Noise and Capitalism)

Midlands Arts Centre, Birmingham (Sound installation Three Elements – For STONEsoup)

2010

Theatre Space, Custard Factory, Birmingham (Performance Breach – For Supersonic Festival)

White Columns, New York (Text – For the exhibition FLUFFERS II)

IKON Eastside, Birmingham (Performance interaction with film by Joris Ivens – For Flatpack Festival)

Phoenix Square Digital Media Centre, Leicester (Event Scores Bridal Music for Ghost, Procedure for Material, Cardinal Points and Guillotine Music – For Fluxus: More Wounded Furniture)

VIVID Birmingham Centre for Media Arts, Birmingham (Performance Proximity)

2009

VIVID Birmingham Centre for Media Arts, Birmingham (Performance Proximity)

Litteraturhuset, Oslo (Lecture Voices Silenced, Performance Breach – For Ultima Oslo)

Institute of Contemporary Arts, London (Event Score Atomicon realised by Dirty Electronics Ensemble)

IKON Eastside, Birmingham (Performance Proximity – For Birmingham Sound Matter)

VIVID Birmingham Centre for Media Arts, Birmingham (Performance Configurations – For A Night of Aural Carnage)

2008

Hayward Gallery, London (Performance Breach – For Hey Hey Glossolalia)

Guthlaxton College, Leicester (Event Scores Mingling, What I Do Is Secret, Noh Sound and Composition for Microphone – For Wounded Furniture: Arena)

New Art Gallery Walsall, Walsall (Symposium – For Home of Metal)

Theatre Space, Birmingham (Lecture Welcoming Apocalypse – For Supersonic Festival)

Rainbow Warehouse, Birmingham (Event Scores Bridal Music for Ghost, Noh Sound, Dead Music for Chatham, Object Noh Music – Realised for Flux-Fest: Fluxium)

Arnolfini, Bristol (Event Score Ambit realised by Dirty Electronics Ensemble – For Venn Festival)

Creative Time, New York (Text Resisting Language (The Silenced Voice) – For Hey Hey Glossolalia)

Midlands Art Centre, Birmingham (Performance interaction with films by Ira Cohen and Harry Smith – For Photon Hex: Cinemaphonic)

2007

IKON Eastside, Birmingham (Performance interaction with films by Watson & Webber and Dudley Murphy – For 7 Inch Cinema: Dream Within a Dream)

Highbury Hall, Birmingham (Performance interaction with readings of short stories by M.R. James – For 7 Inch Cinema: Christmas Ghost Stories)

WPS1 Art Radio, New York (Sound installation ADVENTURE: Showdown at the Pig Palace collaboration with Mark and David Beasley)

United Nations Plaza Radio Network, Berlin (Sound installation ADVENTURE: Showdown at the Pig Palace collaboration with Mark and David Beasley)

Staten Island Ferry, New York (Sound installation ADVENTURE: Showdown at the Pig Palace collaboration with Mark and David Beasley – For the exhibition FM Ferry Experiment)

New Art Gallery Walsall, Walsall (Symposium – For Metal: A Symposium on Art and Metal)

Serpentine Gallery, London (Sound installation ADVENTURE: Showdown at the Pig Palace collaboration with Mark and David Beasley – For Local Operations: Propaganda Machine)

Art Unlimited Hall, Basel (Performance Galaxies – For Art 38 Basel: Artists Lounge)

MACBA, Barcelona (Live performance Galaxies – For Sonar Festival)

Schirn Kunsthalle, Frankfurt (Performance GUITAR TUNED D.E.A.D. collaboration with Mark Titchner and Simon Mabbott – For Good Vibrations: Op Art and In Concert 2)

Outpost Gallery, Norwich (Sound installation ADVENTURE: Showdown at the Pig Palace collaboration with Mark and David Beasley)

City Projects Gallery, London (Performance Aventures, Sound installation ADVENTURE: Showdown at the Pig Palace collaboration with Mark and David Beasley)

Electric Cinema, Birmingham (Performance interaction with films by Man Ray, Jerome Hill, Wallace Berman and Harry Smith – For Flatpack Festival: Photon Hex – Bodies of Water)

Institute of Contemporary Arts, London (Photon Hex: Star Om Performance, Film, Sound – For Halloween Film Festival)

2006

Theatre Space, Birmingham (Performance interaction with films by Man Ray and Watson & Webber – For 7 Inch Cinema: Photon Hex – Star Om)

Tate Britain, London (Performance Lecture The Silenced Voice – For Tate Late: The Turner Prize 2006)

Victoria Baths, Manchester (Sound Installation Immersions – For Manchester Expo: No Petting, No Running, No Bombing)

Arnolfini Gallery, Bristol (Performance Lecture The Silenced Voice – For IT IS YOU: Symposium)

Phoenix Arts Centre, Leicester  (Photon Hex: Star Om Performance, Film, Sound – For 7 Inch Cinema)

The Cube, Bristol (Photon Hex: Star Om Performance, Film, Sound – For 7 Inch Cinema)

2005

Trinity Buoy Wharf, London (Sound installation Currents – For Underkurrent)

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